My keynote at Mind the AI-GAP 2025 where I shared our experience in co-designing participatory AI with MAXXI Museum in Rome, using a systemic approach that brought together diverse audiences and internal departments in a iterative process.
We presented the Digital Relational Ecosystem of MAXXI Museum: a participatory archive that transforms the museum’s collection into a living, evolving network of relationships.
Launched during the What a Wonderful World exhibition, it invited visitors and staff to co-generate meaningful, expressive data.
An advanced training course for a new museum professional: the “Data Curator”. Participants explored how AI and data could shape future exhibitions and related activities, imagining their potential evolution in curatorial practices.
The conference aimed to investigate how imagination works in our contemporary world, both as a process through which the relationship between human beings and their environment is developed, and as a creation of aesthetical and technical objects.
When does Digital History become Digital Public History? In this speech I proposed some answers, analysing case studies e theories.
